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Assembled here for the first time, \u003cem\u003eMy Kingdom for a Title\u003c\/em\u003e allows the breadth of the artist’s engagement with language to be fully assessed. Within the book, Pope.L’s work is supplemented with extensive endnotes sourced by artist Kandis Williams.\u003cbr\u003e\u003cbr\u003ePope.L was (1955-2023) a visual artist and edu­cator whose multidisciplinary practice used binaries, contraries, and preconceived notions embedded within contemporary culture to create artworks in various formats including writing, painting, performance, installation, video, and sculpture. Building upon his long history of enacting arduous, provocative, absurdist performances and interventions in public spaces, Pope.L applies some of the same social, formal, and performative strategies to his interests in language, system, gender, race, and community. The goals for his work are several: joy, money, and uncertainty—not necessarily in that order.\u003c\/p\u003e","brand":"Mitchell-Innes \u0026 Nash","offers":[{"title":"Default Title","offer_id":47601862344857,"sku":null,"price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/9611\/5865\/files\/Pope-L-My-Kingdon-For-A-Title.png?v=1781557544"},{"product_id":"member-pope-l-1978-2001","title":"Member: Pope.L, 1978-2001","description":"\u003cp\u003ePope.L was a consummate thinker and provocateur whose practice across multiple mediums--including painting, drawing, installation, sculpture, theater and video--utilizes abjection, humor, endurance, language and absurdity to confront and undermine rigid systems of belief. Published in conjunction with an exhibition at the Museum of Modern Art that will feature a combination of videos, photographs, sculptural elements, ephemera and live actions,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003emember: Pope.L, 1978-2001\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epresents a detailed study of 13 early works that helped define Pope.L's career. Essays by curators, artists, filmmakers and art historians, plus an interview and artistic interventions by the artist, establish key details for each work and articulate how the artist continues to think about the legacy of these ephemeral projects unfolding in time.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAmong the works included are performances rooted in experimental theater, such as \u003c\/span\u003e\u003ci\u003eEgg Eating Contest\u003c\/i\u003e\u003cspan\u003e (1990), \u003c\/span\u003e\u003ci\u003eAunt Jenny Chronicles\u003c\/i\u003e\u003cspan\u003e (1991) and \u003c\/span\u003e\u003ci\u003eEracism\u003c\/i\u003e\u003cspan\u003e (2000), as well as street interventions such as \u003c\/span\u003e\u003ci\u003eThunderbird Immolation a.k.a. 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Together these works highlight the role that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in contemporary art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePope.L\u003c\/b\u003e\u003cspan\u003e (1955 - 2023) was an acclaimed and prolific interdisciplinary artist best known for his provocative performances, such as \u003c\/span\u003e\u003ci\u003eATM Piece\u003c\/i\u003e\u003cspan\u003e (1997) and his decades long \u003c\/span\u003e\u003ci\u003eCrawl\u003c\/i\u003e\u003cspan\u003e series--most notably \u003c\/span\u003e\u003ci\u003eTimes Square Crawl\u003c\/i\u003e\u003cspan\u003e (1978), \u003c\/span\u003e\u003ci\u003eTompkins Square Crawl\u003c\/i\u003e\u003cspan\u003e (1991) and \u003c\/span\u003e\u003ci\u003eThe Great White Way: 22 miles, 9 years, 1 street\u003c\/i\u003e\u003cspan\u003e (2001-09)--in which the artist drags his body across New York City. Pope.L received his MFA from the Mason Gross School of Arts at Rutgers University and has exhibited internationally. \u003c\/span\u003e\u003c\/p\u003e","brand":"DAP","offers":[{"title":"Default Title","offer_id":47637773516953,"sku":"9781633450868","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/9611\/5865\/files\/member-pope-l-1978-2001-173.png?v=1781557921"},{"product_id":"pope-l-campaign","title":"Pope.L: Campaign","description":"\u003cp\u003eThis book was a three-part report on a collaboration between artist Pope.L 1955-2023) and curator Dieter Roelstraete exploring issues of connectedness, home, migration, and art's relationship to knowledge.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt began in the spring of 2016 with an invitation, extended to the artist by Roelstraete, Monika Szewczyk and Adam Szymczyk, to participate in the 14th edition of Documenta. Pope.L's contribution was the immersive sound installation \u003c\/span\u003e\u003ci\u003eWhispering Campaign\u003c\/i\u003e\u003cspan\u003e, consisting of thousands of hours of whispered content addressing nationhood and borders, and broadcast throughout Athens and Kassel using both speakers and live \"whisperers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA month later, a second chapter of the campaign was inaugurated at the University of Chicago's Logan Center for the Arts, revolving around the \u003c\/span\u003e\u003ci\u003eBrown People Are the Wrens in the Parking Lot\u003c\/i\u003e\u003cspan\u003e project. 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English examines the integrative and interdisciplinary strategies of five contemporary artists--Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L--stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":47641667928217,"sku":"9780262514934","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/9611\/5865\/files\/9780262514934.png?v=1781558946"}],"url":"https:\/\/shop.drawingcenter.org\/collections\/pope-l.oembed","provider":"The Drawing Center","version":"1.0","type":"link"}